A man and child stand at the red door of a house painted in a bold Ajrak-inspired pattern in Sindh, Pakistan

Beauty belongs in every place.

Impact Report 2026 & The Road to 2027

Our mission

Everyplace exists to make things exponentially better for refugees — right now — by backing refugee-led organizations to create beauty in the places they live.

We are creating a more hopeful, more colorful, more joyful response to displacement, through beauty, of course.

A woman smiles as she weaves a basket from dried banana fibre

Why

Because

millions of refugees spend years in harsh, neglected, so-called “temporary” spaces

we back

local refugee-led organizations to ask their communities where beauty already lives — then fund, train, and connect them as they design and build more of it

in order to

help 1,000 refugee communities transform the environments they depend on for daily life

by 2036

into places that feel more like home.

Women and children in Sindh sit in a circle drawing on white paper
A canvas tent in the desert with a red cloth caught in the guy ropes

The context

1 in 70 people on earth is displaced. 0 million people.

05 yrs1015+

0% will be displaced for five years or more, on average.

A tent designed to last one year ends up being used for seventeen.

Places designed to be temporary become where life happens.

Beauty changes how we see.

Artists painting at easels in the Brighter studio, Kakuma
Stories, inherent worth, and creativity
A mural of a woman in a red headwrap on a wall in Kakuma
Refugee leaders, already making

Which is why we back locally led, refugee-led organizations.

Beauty changes how we act.

A woman in Kyaka II leads a planning session at a flip chart
Refugees in the driver’s seat
A young woman stands before a mural she helped paint
Known for strengths, not trauma

It starts with one question: “Where is beauty here?”

Beauty changes the result.

Hands sketching a plan on paper
A plan of their own
Neighbors gather outside the UBUCHANGE center in Kyaka II
…and the beauty they build from it

Different in every place, defined by every place.

How we do it

Young artists in Dzaleka hold up their drawings inside a studio lined with paintings
1

We build local capacity

We back refugee-led organizations — leaders who were there before us, trusted by their neighbors — with funding, training, and connection.

Hands sketching a plan on paper
2

We transform shared spaces

We fund what communities choose: art, gardens, gathering places, renovations. The community plans it, builds it, and then maintains it.

Kakuma artists hold up their paintings at the Brighter exhibition
3

We tell stories

We tell the world what refugees are making to shift how displacement is seen, and to mobilize change.

Building local capacity

The first full cohort year

In 2026, these site leads entered ongoing training and community building, with us, and with one another.

Upendo Shukuru
Upendo Shukuru
Umoja Hope
Rwamwanja, Uganda
Faduma Abukar
Faduma Abukar
Shama Institute
Addis Ababa
Muhimuzi O. Jimmy
Muhimuzi O. Jimmy
AAPA
Dzaleka, Malawi
Melance Niyonizigiye
Melance Niyonizigiye
SPS
Mahama, Rwanda
Didier Maliki
Didier Maliki
UBUCHANGE
Kyaka II, Uganda
Asil Elabdullah
Asil Elabdullah
MEDED
Türkiye / Syria
Aziz Aldureid
Aziz Aldureid
Tadweer-Tech
Beit Sawa, Syria
“We do not need additional labour. We have enough strength ourselves. What we lack are supporters.”
— Ange Niyonkuru, youth leader · Mahama, Rwanda

Site progress

Consultations → planning → projects. No phase is assumed — communities set the pace.

Phase 1Consultations
GazaListening begins — where beauty already lives is being written by the community.
Phase 2Planning
Türkiye (Gaziantep)Community center modeled on Majarra
Ethiopia (Addis Ababa)Refugee-led cultural hub with a Wall of Belonging
Syria (Beit Sawa)Abandoned green area → shared gathering field, furniture from recycled materials
Phase 3Building now
Uganda (Kyaka II)Creative center for 70 women & 30 youth
Uganda (Rwamwanja)Community creativity space + child-friendly space
Malawi (Dzaleka)Children Field Compound playground restoration
Rwanda (Mahama)Camp identity sign + Akagera riverside gathering space
Pakistan (Sindh)Shaded sitting places, painted gateways, cooling corridors — residents hold the budget
GazaRunning art workshops with 40 kids and creating a community-wide exhibition
DeliveredComplete
Kenya (Kakuma)Brighter — workshops, public exhibition, artwork installed
Women in floral shawls sit together drawing in Sindh

0+ neighbors

engaged in community planning sessions sharing what beauty is and means to them. Not one named a luxury item.

“Beauty is the foundation of existence.”

— a Somali refugee in Ethiopia

What they told us: beauty is…

A woman in a green shirt and white headwrap speaks in a meeting
culture
A man photographs the forest with his phone
creation
A paint palette beside a canvas
creativity
Children play among balloons in a decorated alley
community
An elder draws a tree in red and green marker
our core beliefs
Artists at easels in the yellow-walled Brighter studio in Kakuma
Project spotlight: Kakuma, Kenya

Kakuma literally means nowhere. More than 200,000 people live there. They are making it somewhere.

Where the community saw beauty: in its artists, who painted and created despite having limited space, supplies and attention.

The project: community awareness sessions, artists workshop, and exhibition.

A facilitator leads the Brighter artists workshop
An artist holds a paint-covered palette beside a canvas

Project results

0 / 1585 artists applied; only had space for 15
0+attended the exhibition
0artworks displayed
3artworks sold
5paintings donated to RLO offices
2competition prizes awarded

Project impact

Residents engaged in the project were more likely to say:

I feel hopeful about the future54% → 67% (+13)
I’m proud of where I live39% → 62% (+23)
The second-largest gap in the whole dataset.
I believe I can make a positive difference in the community50% → 67% (+17)
Engaged with the projectNot engaged

Engaged n=55 vs. not-yet-engaged n=28 · cross-sectional · differences are associated with the project, not proven caused by it.

A painted portrait of a man resting his face in his hands, from the Brighter exhibition
59% vs 40% Neighbors engaged with the project on average scored 19 points higher on the outcomes we measure.

We tell the world what refugees are making

An artist paints a sunset over green fields

A film in production

Beauty Doesn’t Wait — filmed on site across different projects by refugee videographers, compiled into one film.

The panel on beauty and the search for meaning on stage at the Rimini Meeting

A stage in Rimini

Presented at Italy’s largest cultural gathering on a panel on beauty and the search for meaning, with the John Templeton Foundation.

An artist paints a large portrait mural in Addis Ababa

A growing audience

In one year, nearly 5,000 followers across our channels and more than 185,000 views and impressions.

2027: three key goals

01

Deepen the model

Improve the training curriculum, with three targeted interventions: public art · arts & culture · community restoration.

02

Grow capacity & reach

10 ↠ 0sites

And mobilize more people into the work — refugees, donors, and volunteers: crews, monthly giving through The Paintbox, volunteer pathways.

03

Build the backbone

Stand up the Strategic Advisory Council, file for independent 501(c)(3) status, and establish a healthy funding base.

Children in red skirts dance together in Rwamwanja